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2019年最佳新排版书籍

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+$When it comes to learning typography and refining your skills, there are plenty of excellent排版资源+$online, not least on this very site (check out our+$Typography Tab+$to see the full range of articles).

+$But if you’re serious about your typography, nothing beats a good book that's properly researched and written to the highest standards by an authoritative source. And in a fast-moving, increasingly digital world, it helps if they’re bang up-to-date, too.

+$With that in mind, we’ve brought together the best typography books that have been released this year, so far. All are both well-written and beautifully designed. So whether you’re a type novice or a true veteran, you’re sure to find something here you like.

+$01. Typography: A Very Short Introduction, by Paul Luna

Typography: A Very Short Introduction, by Paul Luna

+$A great introduction to typography for beginners

+$(Image credit: Oxford University Press)

+$New to the discipline? Then+$Typography: A Very Short Introduction+$is a great place to start.

+$Author Paul Luna, a professor at the University of Reading, begins by looking at where the letters we use today originated, and what the principles are that underly their design.

+$He goes on to discuss topics such as layout, legibility, and picture language; the differences between type design for print and screen; the relationship between art and typography; and the reasons why key typographic decisions are made.

+$Usefully, he offers plenty of real-world examples to make his points clear. For instance, in the chapter ‘Presenting language’, he harnesses the Shipping Forecast as an example of how different typographic presentations can enhance a text, and allow for different kinds of reading.

+$Overall, this 176-page paperback takes a comprehensive and in-depth approach to the art and science of typography, and is written in a way that the ordinary person can easily follow. A great buy for typography beginners.

+$02. The Designer's Dictionary of Type, by Sean Adams

The Designer's Dictionary of Type, by Sean Adams

+$Take a deep dive into 48 common fonts, from classic typefaces to modern fonts

+$(Image credit: Harry N. Abrams)

+$The only two-term national president in AIGA’s history, designer and educator Sean Adams scored a big hit in 2017 with his Designer's Dictionary of Colour. Now comes his follow-up,+$The Designer's Dictionary of Type+$, and it’s just as colourful, user-friendly and insightful.

+$The 256-page hardback focuses on 48 common fonts, from classic typefaces such as Garamond and Helvetica to modern-day digital fonts including OCR-A and Keedy Sans. Adams takes a deep dive into each, describing their history, analysing their stylistic traits, and examining what they’re best used for, with lots of eye-candy examples (mainly from the world of print) sprinkled throughout.

+$In short, this is an excellent foundational guide for any designer, and would be particularly useful for students looking to gain a understanding of the art, practice, and history of typography.

+$03. The Big Book of Font Combinations: Hundreds of Typeface Pairing Ideas for Graphic Design & Typography Enthusiasts, by Douglas N Bonneville

The Big Book of Font Combinations: Hundreds of Typeface Pairing Ideas for Graphic Design & Typography Enthusiasts, by Douglas N Bonneville

+$Get some fresh perspective by perusing over 350 typeface pairings

+$(Image credit: Bon Communications)

+$Whenever you start a new design, it’s natural to reach for the same tried-and-tested font pairings you know will work. But that’s hardly going to help you get to somewhere unique and original. So why not flick through+$The Big Book of Font Combinations+$, which contains hundreds of typeface combinations you probably wouldn’t have considered, to get some fresh perspective?

+$Best of all, most of the typefaces featured in this 370-page hardback will probably be ones you already own. Basically, author Douglas Bonneville, a graphic designer and developer, has researched the most popular typefaces and combined them amongst themselves, yielding over 350 typeface pairings. He describes the book as like: “A sketchbook with some ideas filled in for you; the final masterpiece is up to you.”

+$04. Typography Essentials Revised and Updated: 100 Design Principles for Working with Type, by Ina Saltz

Typography Essentials Revised and Updated: 100 Design Principles for Working with Type, by Ina Saltz

+$A first-class reference book that’s easy to dip in and out of

+$(Image credit: The Quarto Group)

+$A popular reference for designers since 2009,+$Typography Essentials+$has been completely refreshed to mark its 10th anniversary, with updated text, new graphics and new photos. The book’s mission, however, remains the same: to distill, organise and compartmentalise the complex issues surrounding the effective use of typography.

+$Written in an accessible style by Ina Saltz, an art director and former professor of design, this 208-page paperback is divided into four sections: The Letter, The Word, The Paragraph, and The Page. And as with all good reference books, it’s easy to dip in and out; you don’t have to read it from start to finish.

+$The 100 principles cover a range of practical issues surrounding designing with type, and each is accompanied by nice-looking visual examples, taken from international books, magazines, posters, and more.

+$05. Jan Tschichold and the New Typography: Graphic Design Between the World Wars, by Paul Stirton

Jan Tschichold and the New Typography: Graphic Design Between the World Wars, by Paul Stirton

+$A brilliantly researched book about a pivotal point in the history of typography

+$(Image credit: Yale University Press)

+$To truly understand typography, you have to understand its history. And+$Jan Tschichold and the New Typography+$will certainly expand your knowledge of a pivotal period.

+$In this 272-page paperback, author Paul Stirton, an associate professor of modern European design history, offers a fascinating account of the life and work of legendary designer Jan Tschichold and the role he played in the creation of modern graphic design in Weimar Germany.

+$Along the way, Stirton analyses his collections, including illustrations, advertisements and magazines, as well as books by well-known figures, such as Kurt Schwitters, El Lissitzky, Aleksandr Rodchenko and László Moholy-Nagy, and other lesser-known artist-designers.

+$And, as the title suggests, there’s a strong focus on the New Typography, a broad-based movement across Central Europe in which Tschichold played a crucial role, documenting its theory and practice in his 1928 book The New Typography, still regarded as a seminal text.

+$Whether or not you’re familiar with the historical period and its iconic design figures, this brilliantly researched and engaging book will grip you from the outset.



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